About

01The road: environment art on Mortal Online at Star Vault. Far Cry 3 multiplayer at Ubisoft Massive. Then six years at Quixel, where I helped build the Studio and Drone scanning pipelines behind Megascans and made the worlds that showed what the tools could do — including Rebirth, the GDC 2019 short film that became a reference point for photorealistic real-time rendering.

02Now: Principal Environment Artist at Epic Games. The Unreal Engine 5 reveal, Valley of the Ancient, Electric Dreams, the UEFN reveal, The Art of MegaLights, Fortnite Ballistic, In Vaulted Halls Entombed for Love, Death & Robots — demos and games seen by millions, defining how next-generation worlds get built.

03Leading: increasingly the work is about other people's work. I art directed Dark Ruins, helped lead the UEFN Talisman project, was lead artist on Electric Dreams, and I mentor small teams of junior artists — setting the bar, then getting out of the way. That habit started at Quixel, where the Studio and Drone scanning pipelines had no playbook to copy — we had to work out how to capture, process and ship scanned data at a scale nobody had attempted. Building the workflow turned out to matter as much as building the shot.

04Off the clock: I draw, teach and write about environment art, and I work leather by hand. For several years I founded and ran Next-Gen Hard Surface (NGHS), a community for hard-surface and environment artists. Educated at SOFE — School of Future Entertainment, Karlshamn and The Game Assembly, Malmö.